I first worked with award-winning writer Luis Katigbak more than 10 years ago on a comic version of Charlson Ong’s “How My Cousin Manuel Brought Home A Wife” so I was thrilled when I was presented with the opportunity to work with him again.
Right now I have a few comic projects in the works: I’m illustrating Gerry Alanguilan‘s story “Rodski Patotski: Ang Dalagang Baby” which is a project we’ve been discussing for a long time already. I also illustrated for a comic in an anthology written by Chris Costello, and Jamie Bautista and I have also been working on reviving “Cast Comics”.
I also made a quick animated fan video for Pol Medina Jr’s “Pugad Baboy” comic series which I’ve loved since high school called “The Pugad Baboy Shuffle” . It’s a simple thank you to him for inspiring generations of artists like myself.
My personal project for this year is my first animated short, “Milkyboy”. The story is inspired by TV commercials featuring child endorsers that I used to see back when I was a kid myself. I’ve always wondered about how their lives are when they’re no longer famous. Are they happy? How did the TV stint affect their lives? I’ve had the idea since 1994 and it was supposed to be the 2nd act of a (yet unpublished) three-part anthology titled “Sell the Nation” that I was planning back then. Fast forward to the future — I decided to update the story and make it into an animated film. (One thing I realized about animation is that there are almost no limits to what you can do!)
This is also my first time animating dialogue so it’s been quite a challenge but I’m learning a lot along the way.
I’m very particular with naturalism in dialogue and I don’t want the film looking and sounding like it was dubbed — especially not with that singsong / “class recitation” style which I absolutely hate. So I asked friends whom I’ve already worked with in my previous film projects to provide voices for the characters: Mihk Vergara, Yvette Tan, Denise Mallabo, Chris Costello, Miguel Nacianceno, RJ Ledesma, Erwin Romulo, Gang Badoy-Capati to name a few. These guys were all wonderful to work with and did such AMAZING jobs. It was great seeing my story’s characters come to life through them!
We recorded the voices in a QC Studio called Independent Minds. Prior to recording, I sent my actors the script so they can study their roles and lines. I also made sure to give them a free hand in interpreting the characters in their own way. After receiving the sound clips, I listened to the different takes and spliced together lines that worked best and then animated based on the timing of the words and pauses. I saw it as a matter of imagining how the characters would act and move in relation to the spoken words. (This is something that I’ve always wanted to achieve in comics and now I’m seeing a world of difference between the two media!)
Right now the film is underway and I’m posting a trailer real soon. If you would like to keep updated on this project (and others), you can find me on Facebook — I update my profile there a lot more often than I do this blog.
Welcome to the latest version of my website! We finally found time to load it with new works (for the first time since 2004 :D). Cyn and I agreed that a simpler portfolio site with a blog is best since it’ll be easier to update. ( In case you miss the old site, it can be found here. )
I always get messages asking about where copies of Trip to Tagaytay, After Eden, Andong Agimat, and The Mythology Class can be found. Sadly, you won’t find them anywhere since they’re all out of print. However, I heard from Nautilus Comics publisher (and my Private Iris partner) Jamie Bautista that Martial Law Babies is still available so please check it out too and I’ll see what I can do about getting the others republished.
There hasn’t been a book from me since 2008. That was when I decided to switch gears and focus on a long time dream of mine… film. With the help of family and friends I was able to produce two shorts, Chapter One and Kaye for Komiks. I’ve screened them in schools so you might have seen them already. For those who haven’t, I’m still researching on how to stream the full-length movies from this site and I’ll make sure to give you guys a heads up when they’re finally online.
When I work on my stories I always play them in my head as movies with sound, music and motion which is why I’ve always felt hindered by the limitations of the static comic book page. Music is especially tricky to interpret although I did my best with the “Night and Day” sequence in After Eden, and this concert scene from Martial Law Babies (the page on the right), but I guess it’s not the same.
Due to this frustration, just half a month ago I decided to try my hand at animation. Apart from making flip books as a kid, I’ve never done it before but I took that as a challenge and went ahead and made one.
Two weeks and several sheets of paper later, I’m happy to present my first animated work. It’s a 4 minute long short film titled Andong Agimat: Kanya ang Kalye. Animation is tedious work but I really enjoyed making this and I hope you’ll like it. You can watch it below.